"Martha, Martha," the Lord answered, "you are worried and upset about many things, 42but only one thing is needed. Mary has chosen what is better, and it will not be taken away from her."
Maybe someone's trying to tell me something.....
I consider this book to be a lesson in why I should listen to my daughter. My oldest read this and the sequel Inkspell last year and truly loved them both (we have yet to purchase Inkdeath but I am sure we will). I waited until now to read the first one, and could kick myself for not falling in love with this series sooner. Inkheart was obviously written by and for the true bibliophile. With attention and detail to the care and fascination with every element of a well-written story, Inkheart will resonate with the heart of anyone who has ever wanted to fall into the tale with which they are enraptured. Funke's story is a clever, creative adventure steeped in the fairy tales on which we cut our teeth while at the same time, maintaining an entirely unique identity. Her characters are well rounded and believable and filled with pathos and passion that are wonderful to share. Inkheart was an utter delight, and I very much look forward to reading the next two books of the trilogy. Rating: 8
Grade 4-8-Characters from books literally leap off the page in this engrossing fantasy. Meggie, 12, has had her father to herself since her mother went away when she was young. Mo taught her to read when she was five, and the two share a mutual love of books. Things change after a visit from a scarred man who calls himself Dustfinger and who refers to Mo as Silvertongue. Meggie learns that her father has been keeping secrets. He can "read" characters out of books. When she was three, he read aloud from a book called Inkheart and released Dustfinger and other characters into the real world. At the same time, Meggie's mother disappeared into the story. Mo also released Capricorn, a sadistic villain who takes great pleasure in murdering people. He has sent his black-coated henchmen to track down Mo and intends to force him to read an immortal monster out of the story to get rid of his enemies. Meggie, Mo, Dustfinger, and Meggie's great-aunt Elinor are pursued, repeatedly captured, but manage to escape from Capricorn's henchmen as they attempt to find the author of Inkheart in the hope that he can write a new ending to the story. This "story within a story" will delight not just fantasy fans, but all readers who like an exciting plot with larger-than-life characters. Pair this title with Roderick Townley's The Great Good Thing (2001) and Into the Labyrinth (2002, both Atheneum) for a wonderful exploration of worlds within words.
Sharon Rawlins, Piscataway Public Library, NJ
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Publishers Weekly
Starred Review. Robert Neville has witnessed the end of the world. The world's population has been obliterated by a vampire virus, though Neville has somehow survived. As he toils to make sense of it all and protect himself against the hounding vampires who seek out his life force, Neville embarks on a series of projects to discover the source of the plague and hopefully put an end to the vampires. In a tale that plays with the slippery slope of sanity, Dean makes the perfect choice for a narrator. His powerful performance proves chilling and haunting. As Neville teeters on the edge of sanity, Dean manipulates his tone, speed, emphasis and projection accordingly, making listeners tremble with his narration. While some might rebuke his narration for being too dramatic or providing too much interpretation, Dean's intensity adds to the book in a way that benefits listeners over readers. The visceral nature of his performance evokes the image of a foamy-mouthed Dean growling at a microphone with spittle flying. A Tor paperback. (Oct.)
What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older) --Karin Snelson --This text refers to the Hardcover edition.